Summer reading list
Summer is here! What are you going to read, and what would you recommend to others?
Summer is here! What are you going to read, and what would you recommend to others?
I recently revisited The 100 and was curious how other science fiction fans view it today. What began as a survival story gradually evolved into a series that explored leadership, morality, artificial intelligence, tribalism, and the consequences of difficult choices. While some seasons were stronger than others, I thought the show consistently raised interesting ethical questions and gave several characters meaningful development throughout its run. For those who have watched it, which season was your favorite, which character had the best arc, and how do you think the series compares to other modern sci-fi television shows?
I tried my hand at searching and couldn't seem to find anything, but then I'm not necessarily the best at finding things here, anyway.
Meanwhile, I'm currently working my way through a massive media archive I'd collected a few years ago, and have found a fair amount of sci-fi art to be shared somewhere, if possible.
There's also a reasonable amount of such art appearing in Euro comics, which I'm collecting here: https://piefed.social/c/eurographicnovels?flair=Sci-Fi
So, any advice on where to look?
Oh, whoops, and the piece above is by Peter Elson, in 1980!
After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.
Starring Anne Hathaway and Ewan McGregor, THE END OF OAK STREET also stars Maisy Stella and Christian Convery. The film is written and directed by David Robert Mitchell and produced by J.J. Abrams, Hannah Minghella, Jon Cohen, David Robert Mitchell, Matt Jackson, and Tommy Harper.
https://gruesomemagazine.com/2026/06/10/trailer-the-neighborhood-goes-to-hell-in-the-end-of-oak-street/Open linkView original on lemmy.worldWith earth suffering environmental disaster and war, a group heads for a distant planet to make a new, peaceful, better start for humanity. The planet has abundant plant and animal life, though they quickly discover that at least some of the plants are sentient. The story is told from the viewpoint of members of different generations of the colony, alternating male and female.
Early on, I wasn't thrilled with the book. There were a few things that seemed problematic, like the ridiculously inadequate redundancy in technology and skills for a mission to settle a distant planet. But the issues seemed to mostly wane as the story got more interesting. Lots of characters with complex motivations, and some interesting developments.
I tore through The Faith of Beasts by JSAC, really loving the new universe they've developed. Very much looking forward to rereading TMoG, Livesuit and TFoB very soon and the show being developed.
I'm reading book 4, Children of Strife by Tchaikovsky and enjoying it thoroughly. AT has been my favorite contemporary author for the last few years based on how wide-ranging and prolific he is. I discovered AT by reading The Final Architecture series, which is still my favorite series by him. Honorable mention is his Dogs of War series, also amazing.
Last year I discovered China Mieville by reading Embassytown, the mindfuck storytelling and intelligent prose blew me away. That book still haunts me and twists my brain almost a year after reading it. I've never had a book that still makes me think and feel strange months after finishing it. Perdido Street Station was also amazing, super fun and original steampunk world. Very much looking forward reading the next two in that series and digesting more of his catalogue, I think he's my new favorite.
Also recently read The Prefect by Alaistar Reynolds, set in the Revelation Space universe and it's also fantastic, really good stuff. Stoked to finish the series.
As far DNF I was surprised I couldn't push through The Algerbraist by Iain Banks, I got bogged down in Jupiter just couldn't keep at it.
I just finished reading the third book, so I thought I'd put my notes on the three of them together.
Rosewater
The Rosewater Insurrection
The Rosewater Redemption
A short story about communicating with the past, Rube Goldberg society, and the end of it all.
Hard science fiction.
A detective is investigating the drowning death of a man and his small child. The catch is that they appear to have drowned in the middle of their high-rise apartment in Chicago. I very much enjoyed the way this story unfolds. It seems like it's going to be a murder mystery at first, but we learn and surmise much of the details fairly early on. Instead, there are other questions we want answered, and those are revealed skillfully. The book has a lot to say about racism, family, friendship, and justice. Some of the very end seemed a bit rushed, but overall it kept me turning pages and was satisfying from start to finish.
In s3e17, Gaius Baltar demonstrates his original Aerilon accent to Chief. It's a gravelly "back of the throat" accent that sounds a lot like Mark Sheppard. Next episode we meet Baltar's lawyer, played by...Mark Sheppard. His law career is obviously on Caprica, but are the accents just coincidence? Is Lampkin faking it because he read the book? He doesn't strike me as a manual labor-type, but his story could be similar.
Thy light is an eminence unto thee
And thou art upheld by the pillars of thy strength.
Thy power is a foundation for the worlds:
They are builded thereon as upon a lofty rock
Whereto no enemy hath access.
Thou puttest forth thy rays, and they hold the sky
As in the hollow of an immense hand.
Thou erectest thy light as four walls
And a roof with many beams and pillars.
Thy flame is a stronghold based as a mountain:
Its bastions are tall, and firm like stone.
The worlds are bound with the ropes of thy will,
Like steeds are they stayed and constrained
By the reins of invisible lightnings.
With bands that are stouter than iron manifold,
And stronger than the cords of the gulfs,
Thou withholdest them from the brink
Of outward and perilous deeps,
Lest they perish in the desolations of the night,
Or be stricken of strange suns;
Lest they be caught in the pitfalls of the abyss,
Or fall into the furnace of Arcturus.
Thy law is as a shore unto them,
And they are restrained thereby as the sea.
Thou art food and drink to the worlds:
Yea, by the sustenance are they sustained,
That they falter not upon the road of space
Whose goal is Hercules.
When thy pillars of force are withdrawn,
And the walls of thy light fall inward,
And thy head is covered with the Shadow,
The worlds shall wander as men bewildered
In the wasteness void of life and barren.
Athirst and unfed shall they be
When the springs of thy strength are dust
And thy fields of light are black with dearth.
They shall perish from the ways
That thou showest no longer,
And emptiness shall close above them.
Image: Clement Lindley – read more about him here.
https://sfss.space/to-the-sun-1931-clark-ashton-smithOpen linkView original on lemmy.worldHave u read her books? I am right now & im absolutely amazed, so i contacted her agent: i wanna interview her for my small SF blog:
If u love her & have good questions to ask her, please answer in the comments.
This book is FANTASTIC!
It’s 2067, and the Graves family has transformed Mars from lifeless rock into a chaotic patchwork of settlements—and everybody wants a piece.
Enter Hunter Graves: handsome, ambitious, and with spectacularly bad timing. He shows up at the United Nations base just as an emergency evacuation sends everyone scurrying for safety. Except he’s left behind. Uh oh.
Also stranded: Cleo, a sharp-tongued stowaway with no intention of dying today, and even less patience for overconfident trust fund boys. But the enemy of your enemy might just help you survive, so here we are.
Turns out the evacuation was just a cover for the mercenaries who came next, and they plan to blow up the base—and every trace of their crime—in eight hours.
Now, Hunter and Cleo have one shot to stop the explosion, escape alive, and deal with the inconvenient fact that they’re falling for each other.
The clock is ticking.