My Partner [Nikon F3 | Nikkor 135mm f/2.8 | Porta 400]
Of course I asked for her permission before posting
Japanese Tree [Nikon F3 | Nikkor 50mm f/1.2 | Portra 400]
I'm pretty sure this was the 50mm
Oregon Trees [Nikon F3 | Nikkor 135mm f/2.8 | Porta 400]
I also took the same shot with a bit different focus in landscape, I'll post it some other time.
Night Temple [Nikon F3 | Nikkor 50mm f/1.2 | Portra 400]
This was in the Fukuoka area, I like how the colors ended up coming out, bit eerie feeling.
Subway [Nikon F3 | Nikkor 50mm f/1.2 | Portra 400]
This was at Iidabashi Station in the Tokyo area.
A rock in the East Fork Lewis River near Multon Falls [OC]
cross-posted from: https://slrpnk.net/post/38262983
I went on a fun little day trip with my Graflex Speed Graphic 4x5 to a few places, unfortunately I didn't realize until I got home that I underexposed the shots to a substantial degree due to my light meter app being misconfigured. There were a few shots that were salvageable, this was one of them.
Forest's Edge [Lubitel 2 | Phoenix II (cross-processed B/W)]
So, uhhh, yeah. Why process Phoenix II in black and white? Well, let's call it a happy little accident. The lab messed up and thought that it was black and white film. After the initial confusion, I was very surprised that there were somehow photos here. After finding out what happened the lab did a bit more to it, presumably to make sure that it remains stable.
Too bad I didn't get to see what Phoenix II actually looks like, but honestly this experiment was nonetheless very interesting. Apparently when you process it as black and white film, you basically get Phoenix but in black and white.
