Promo for some sweet Hellraiser merch including a windbreaker and thermos, all told to us through a sweet old lady and her dead cat.

Cover of The Specials - Ghost Town

1. Richard Bone–Vox 2.5_4:10
2. Bad Data–What's In The Box?_5:02
3. 8m² Stereo–Unc_8:56
4. Woob–Giant Stroke_8:43
5. Gas (2)–Oxygen_7:56
6. International Peoples Gang–Imagination Satellite_5:31
7. Dallas Simpson–Aquapump_12:09
8. Miasma–Dead Eye_5:52
9. Hywel Davies–Apus Apus_8:08

Em:t Records (Emit Records) was a British record label, based in Nottingham, which specialized in ambient electronic music. They were active from 1994 to 1998.

All of the 94-98 em:t releases were processed using the Roland Sound Space RSS 3D sound imaging system, giving the music an extra "spacious" quality.

em:t was born as a division of the t:me Recordings label in 1994. t:me released mostly vinyl records falling under the broad category of house music, and sought to create a new sublabel for more forward-thinking ambient material. Over the next four years, they released a series of eighteen albums and compilations, packaged as a collector's series. Though em:t never enjoyed widespread commercial success, their releases were highly regarded and influential in ambient circles, and the label attracted a cult following - encouraged, no doubt, by the collectible nature of the releases.

em:t releases had strict rules governing their design aesthetic. Individual album titles were always the sequential four-digit catalogue number of the disc; the album's cover was always a full-colour picture of a wild animal; all albums were released on CD only; all CDs were packaged in digipacks; all CDs themselves bore the same Chinese character in black on the non-playing face of the disc.

The label garnered praise from music journalists at the time. Coda magazine wrote that "The Em:t series will surely go down in history for being as important in the 90s as the albums of Brian Eno were in the 70s", and specialist music magazine The Wire noted that the em:t catalogue represented "The vanguard of post-dance technological music". Em:t produced promo postcards for the label on which these quotes, and others, were duly displayed. A Q&A in DJ Magazine in 1995 also stated the label's unofficial credo: "Never presume your audience is any less clever than you are".

Taken from 'The Sword & The Soaring', new album out 11/11

https://navybluethetruest.bandcamp.com/album/the-sword-the-soaring

https://loulayorke.bandcamp.com/album/time-is-a-succession-of-such-shapes

Taken off their second full length ‘File Under: Easy Listening’, the official music video for the Sugar track ‘Your Favorite Thing’ released in 1994.

I know there's probably a good technical or historical explanation, but it's very irritating to copy/paste text into Lemmy to have it looking like poo after posting. Is there an Android editor that will add double spaces to ends of lines so it's wysiwyg? Bonus if it will also insert "> " at the beginning of lines for quoting selected blocks of text. Maybe this can be done with a JavaScript webpage?

00:00 skrillex, aluna, kito - inhale/exhale (nanode rmx)
01:44 antagonist - tmsv
03:16 ariana grande - positions (jukaa bootleg)
05:27 playboi carti - ur the moon (ferumi remix)
07:27 2hollis - jeans
08:48 quickly, quickly - k hole
10:15 vanda - closer
13:01 osamason - pop
14:08 2hollis - sidekick
15:50 charli xcx - everything is romantic
18:17 killmatter - bleed different
20:37 camoufly - llamando (ethanplus edit)
22:01 campeon (rize remix)
23:09 hamdi - skanka (blurrd vzn remix)
24:34 arya - ja man!
26:08 john liwag - killa
27:56 yaeji - raingurl
29:05 skrillex, dj smokey - andy (killmatter remix)
31:20 dog blood - break law
34:34 chase & status - selecta (super future flip)

Punjabi Disco: The lost masterpiece which birthed British-Asian dance music

...

Mohinder Kaur Bhamra was one such person who recognised the importance of that escapism. Having moved to the UK from India back in 1961, Bhamra was among the growing South Asian population in Britain at that time, and she came face to face with the extent of the nation’s widespread racist attitudes as a result. Nevertheless, she always maintained her cultural roots through music and encouraged countless others to follow suit.

...

Hang on, you might be saying, ‘What does this have to do with disco?’ Well, through her performances, often accompanied by her son Kuljit, Bhamra essentially laid the foundations for all future British-Asian dance music, and her 1982 record Punjabi Disco was a particular revelation, without which Bhangra daytimers might never have existed.

...

Despite its endlessly obscure nature, though, Punjabi Disco amassed something of a cult following in the years following its release, rightly hailed as being the origins of Asian dance music, as well as being a key cultural landmark in the story of the British-Asian community as a whole. Perhaps more so than any other record, Punjabi Disco told the liberating story of Asian people in the UK, enmeshing those traditional wedding-song sounds with a distinctly westernised form of dance music.

...

Now, at long last, the prayers of those crate diggers have been answered by the higher power, which is Los Angeles’ Naya Beat Records, who have announced a full reissue of the album for the very first time. What’s more, the long-awaited reissue comes complete with a previously unreleased track and a collection of dance-heavy remixes, which help to capture the impact which this album had on Asian dance music upon its release.

• https://faroutmagazine.co.uk/punjabi-disco-masterpiece-british-asian-dance-music/

[...]

In some cases, setbacks in one country are prompting progress in others. After witnessing the U.S. Supreme Court overturn Roe v. Wade, the French government adopted a constitutional amendment guaranteeing a national right to abortion. And after Sweden reversed its feminist foreign policy, the Spanish parliament voted to enshrine Spain’s version in its development cooperation law.

[...]

I find that the women’s rights movement is doing a bad job of telling the story of (and learning from) our victories. Because our wins are often less far-reaching or sensational than some of the high-profile setbacks, they are less likely to receive media coverage. This is a tragedy, because it means our narrative of social change is incomplete: We believe defeat to be final, when in fact the resistance is alive and well and effective. It’s our duty to tell those stories and to learn from them, too.

[...]

That’s why the Feminist Foreign Policy Collaborative is launching a global repository of the world’s progressive victories for women’s rights. We’ve gathered groundbreaking policies on everything from abortion to feminist foreign policy, including archived texts that conservative governments have tried to disappear. We’ve crowdsourced policy briefs and advocacy resources and analyses of progressive victories in dozens of countries and amassed more than 600 resources in 16 languages. And now, our repository is open for policymakers, advocates, academics, and individuals from all over the world to continue to upload their resources and help us tell the successful story of the global feminist movement.

[...]

https://archive.is/9KWjp

Fascinating archive of the New York downtown scene on Manhattan Neighborhood Network.

Videowave is a public access TV program featuring musicians and artists ignored by the mass media, primarily from the NYC scene of the 1980s and 1990s. On the air since February 1982. Watch Videowave every other Friday at 11:30 P.M. on MNN (Manhattan Cable) Channel 2. Don't live in Manhattan? Watch at https://www.mnn.org/watch

Created by Alan Abramowitz. Videos restored and managed by Alexander LeMell.

Before you heard about it, it was already on Videowave (Or the joke, "If you've never heard about it, it was already on Videowave").

Taken from the album "Ethereal Horizons", out on November 28th 2025.

"Ethereal Horizons" incorporates otherworldliness from all eras of BAN - traces of churning dissonance, subtle industrialised elements, the weeping of celestial leads, V's spectral & subliminal snarl - but brings in a suite of new and more grounded feels too. Far-reaching melodic themes turn inward and outward, frequently resolving into the swing of classic, prog and post rock. The warmth of swirling psych-organ and expanses of kosmische synth provide a bed for emotive themes to build and release into full-throttle ruthlessness. Vocal stylings are wide-ranging as ever, utilising the distinctive cloudbusting cleans and choirs, but this time with a lazer-focus on wistful transcendent melodies, refrains and even out-and-out hooks.

Limp Bizkit performed at Lollapalooza Festival in Chicago, IL on July 31, 2021. The show was live broadcasted on Hulu.

Setlist:

• Thieves - 01:21
• Break Stuff - 05:08
• Hot Dog - 10:55
• My Generation - 16:46
• Livin' It Up - 21:20
• Rollin' - 31:37
• Nookie - 35:05
• My Way - 43:49
• Faith (George Michael cover) - 50:40
• Take A Look Around - 52:09
• Dad Vibes (New Song) - 57:47

@jamiexx_‬ performs his song Baddy On The Floor from his sophomore album, In Waves, live at History in Toronto.

Watch the full show: Jamie xx: Live Concert | CBC Music Live

Voodoo Tour - July 19, 2000

cross-posted from: https://lemmy.zip/post/51061126

Trove of surveillance data challenges what we thought we knew about location tracking tools, who they target and how far they have spread

...

Most countries have a legal mandate to carry out domestic phone network surveillance. The First Wap archive demonstrates, however, how phone network connections can be leveraged to allow tracking all over the world, without authorisation from the targeted networks.

In recent years, a number of investigations have explored the ways in which surveillance companies gain access to phone networks to enable this type of tracking. Lighthouse and its partners have previously written about how SS7 abuses were linked to the murder of a reporter in Mexico and a crackdown on an activist in Congo, and how they were enabled via leasing of Global Titles.