Comment on
[OC] Homebrew Campaign Map: Lyr and Its Surrounding Continents
Reply in thread
Thanks for asking! I used Inkarnate for this one. I've used Wonderdraft in the past, but I like the feel of this simulated hand-drawn map better.
Comment on
[OC] Homebrew Campaign Map: Lyr and Its Surrounding Continents
Reply in thread
Thanks for asking! I used Inkarnate for this one. I've used Wonderdraft in the past, but I like the feel of this simulated hand-drawn map better.
Comment on
Steve Harwell, Smash Mouth Founding Singer, Dead at 56
Reply in thread
Was
Comment on
Brand new baby DM, just wanted to post somewhere because I'm excited (minor DOSWI spoilers)
I think it's always best to look at the modules as guidelines, especially anything from Wizards. Like others have said, the writers can never account for your players.
When it comes to making stuff up on the spot, I have two suggests that might help:
Extra advice: Remember that you stepped up to facilitate. That means your players already appreciate the work you're putting in (or at least they should).
Keep it up!
Comment on
[Discussion] Let's Talk about Unfinished Business and Consequences
Reply in thread
That's a good take. I agree that consequences shouldn't happen to spite the players. They made their decisions and had the enjoyment they sought, and as DMs, we're only here to facilitate that.
I think consequences are there to add a sense of scope. It's not a "you didn't do this, so here's your punishment." It's "let's take a look at how your active choices affected the world and figure out how to play in that space together." Maybe 'consequence' wasn't the best word for this discussion.
Let me put this to you -- has there been an instance where you revisited an area or plotline that the players diverted from? If so, how did you do it?
Comment on
Relatives were visiting over the weekend and we played Tsuro with the kids. It's really easy to learn, quick to play, and has some strategy to it.
I really like Tsuro, but when I introduce it to people, they find it boring. I don’t get it! Yes, it’s simple, but you can really use some strategy to influence the board. Maybe my friends just don’t like when I roar at them as our pieces pass.
Comment on
*Permanently Deleted*
The artist is Tithi Luadthong (Grandfailure). Their art is available on many stock sites like Adobe Stock.
Comment on
[Discussion] Let's Talk about Unfinished Business and Consequences
Reply in thread
100% yes. I believe my players have a much better time when they "find the plot." There are narrative lines to pull, but the key is to allow the players to find these lines in what they believe to be important. I can create as many characters and plot devices as I like, but many times, the players' actions will necessitate a whole new character or route.
This happened in a recent session. I had a location with named NPCs who could help the party escape from a city where they were wanted. Even after all the info on these characters and coming so close (literally one room away), the players decided they wanted to find someone else. Now Patrick Seaworth, an arm-wrestling legend, exists in the world.
Comment on
Regarding OC Posts and Advertising
Sorry for jumping into the conversation so late, but what’s the feeling on podcasts? I have a very small one that I’m quite proud of, and I’d love to share it. I don’t think a post for every new episode release should be allowed, but I feel like an occasional post about milestones or information that others could use should be acceptable. In essence, posts intended to engage with everyone instead of just sell to them.
Comment on
Help needed: how do YOU do things?
I love making combat difficult for myself, so I use theater of the mind... for everything. I don't use any physical or digital tools either in-person or online.
I've run and played in games that use virtual tabletops (roll20, tabletop sim, foundry), and they all seem to work very well. However, I tend to focus mostly on the narrative and roleplay, so it feels good to do everything via imagination. It works out nicely, because I get to pay more attention to my player's faces and react accordingly. We also made our recent campaign into a podcast, so doing everything verbally helps us create a more cohesive narrative for listeners.
BUT I think theater of the mind works to my strengths as a DM, and it certainly isn't for everyone. I know I'm in a very minuscule minority, but you're welcome to join me at the theater table.
Comment on
Brand new baby DM, just wanted to post somewhere because I'm excited (minor DOSWI spoilers)
Reply in thread
You're welcome! Getting over the nerves will just take time. I've been DMing for about 10 years, and I still feel the impulse to make something amazing immediately. If you're players ever complain, just tell them they can run it. They'll change their tune real quick.
Comment on
[Imperor] A single (spooky) quest module: The Everfog - Field of Spears
Reply in thread
Excellent! I'll be listening on the way home from work!
Comment on
[Imperor] A single (spooky) quest module: The Everfog - Field of Spears
This sound like a really fun idea! I always love to see free, colorful resources. I am interested in seeing more, but the post only links to the single page PDF. I see the links in there, but can you post them for ease of access. (If I'm missing something, please let me know, and I'll edit this comment).
Keep 'em coming!
Comment on
Regarding OC Posts and Advertising
Reply in thread
We release every other week, but I like to post maps, stories, and other homebrewed content instead of just saying, “Episode 538 is out now! Please listen to my stuff!”
I do think it’s important to be a member of a community instead of just using a community. So maybe there’s a criteria of interaction that comes along with self-promotion?
Comment on
The Cast from My Campaign
Reply in thread
Most of them have this as a base: portrait, white background, fantasy art, dishonored style --ar 2:3 --v 5.1
Two of them (Baeth and Father Del) use this as a base: portrait, white background, medieval, fantasy art, Donato Giancola, craig mullins, parth, masterful strokes --ar 2:3 --v 5.1
Beyond that, I tend to use basic descriptions and generate until something clicks. With two of those, I had to use actors because my prompts didn't return anything I liked. For instance, the nobleman at the bottom, Caundry Aborlein, uses William Powell as a descriptor. I had to Photoshop the mustache on him, however. Here's his prompt: nobleman, curly shoulder length brown hair, William Powell, arrogant expression, large nose, fat face, fancy clothes, portrait, white background, fantasy art, dishonored style --v 5.1