I rather find that Iron Maiden is probably one of the more consistent bands with its output, actually. You either like them or you don't, and that's a good thing by itself because it shows that, regardless of musical taste, they know their trade. Its not an easy thing to be consistent.

With Black Sabbath, I have a lot more problems because they have entire albums which are, for me, quite terrible from a song writing perspective. I don't mean a couple of songs, I mean from start to finish. If I pick one record I haven't listened to yet, I just have no idea if I'm going to like it or not.

With Quiet Riot I agree. They have records which honestly kind of suck.

Japan had some terrific avant garde at the time, many of its bands had humoristic sensibilities, but were serious in being innovative in music. This song to me is a great example, it shouldn't sound good as most instruments are highly compressed and saturated, but it does. It has long passages of harmonic dissonance but still resolve in the tonic. Love it.

Appreciated. The 80s can't be fully understood without Germany... it was a factory of singles, many of them became hits all around the world. In fact, I believe Falco was the very first artist I posted in Lemmy myself, with his "der Kommissar".

edit: sorry, I forgot that Falco was austrian, not german. Still a good artist though... I posted another song of his in our 80's jukebox.

Thanks for the history lesson, Rolando.

This song has a very nice groove to it, the musical texture is outstanding in this studio recording, and Debbie brings some outstanding vocals as always. Perhaps controversially, I do think that the rap section is a bit lacking in delivery... but the genre wasn't even mainstream at the time, this is just 1980. So there's that. And let's be honest, we're discussing Debbie Harry... and for some, mysterious, reason I feel very, very willing to forgive a blond beauty like her. Specially one with her voice.

We could say that Love, in fact, has quite a lot of power.

Great find, he's fantastic.

Probably so. I specially like this song coupled with the album introduction... it easily puts to rest the old idea that metal/hard rock music is just loud noise with no musicianship. Just wish the band had coupled both songs, like this, in their live performances.

Indeed, thanks for the historical note Rolando. The lyrics in english are like this (deepl.com translation)

He walks on the street

Don't say where

His brain full of heavy metal

And his liver is dead

His veins are open

And smell like formalin

It's all very distressing

Like he is in Vienna

All of Vienna

Is on heroin today

All of Vienna

Dreams with Mozambin

All of Vienna, Vienna, Vienna

Also takes cocaine

In the ball season at all

You can see all of Vienna, Vienna, Vienna

Is so wonderfully there, there, there

Cocaine and codeine

Heroin and mozambine

Make us go, go, go

There, there, one, two, three

Cocaine and codeine

Heroin and mozambine

Make us go, go, go, go, go

Three, four

Its the best version of the song, even if it didn't got into the movie. That said, Donnie Darko had a point in slowing down the tempo... it is indeed slightly too fast for the song. On the other hand, Tears killed it by incorporating the brass the way they did.

Good track, iconic series. I had been thinking about posting some "synthy" music myself.

Completely agree.

Its not common for a band to last that long, while delivering great tunes even today. Judas is very special... although I personally enjoy their first period the best, still more in the hard-rock genre, but the songs were really awesome, and probably a bit underrated.

Sure. No doubt Blondie made a brave and early exercise in the, then exotic, rap genre... and they managed to add a distinct flavor beyond the standard synthpop. To be honest, I enjoy this song greatly, from the moment the bells start ringing until the end, and felt that it couldn't be missing in our 80's playlist. Besides, for rap pioneers, Blondie was probably a gateway to the mainstream later in the decade.

You're right. I'm not usually a fan of Madonna, but I think the arrangement and studio work of this single is very good. I really like the synth bass here.

Exactly. There were a couple of nerd bands like this at the time, and they did some pretty funny music, quite good at times. These guys were japanese.

Falco was always great to listen to, but above all, just very, very fun.

Sure... but to be honest, I rarely enjoy the entire output of most metal bands. Finding one which had consistently composed great songs is a bit of a challenge, despite the very talented interpreters and shredders from the genre. What you describe could be sort of a common disease.

Much of Black Sabbath I find hard to stomach, for instance. On the other hand, I really like a couple of their albums.