Spyke
metalvinyl·MetalVinylbyhaverholm

Latest addition: Vulvatorious, S/T (2024). Crusty, feminist black metal

Just got this in the mail. The band doesn't reinvent the wheel, but it's a solid debut. There are a good few anthems on here, I dare you not to sing along to "F*CK YOU INCEL" and "C*NT WAR" on the first listen. Also, yes. Those are the band's allcaps.

Plus, as a friend said — it's refreshing to see a Danish band where you don't recognise the members from other projects.

Latest addition: Vulvatorious, S/T (2024). Crusty, feminist black metalhttps://vulvatorious.bandcamp.com/album/vulvatoriousOpen linkView original on kbin.earth
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Get weird sometimes. Maudlin of the Well - My Fruit Psychobells.. A Seed Combustible

Tonight I'm listening to the flawed but in many ways revolutionary debut from Maudlin of the Well, My Fruit Psychobells... A Seed Combustible.

Brilliant, otherworldly writing but a deeply flawed recording. This album pushed avant garde and progressive metal in directions it had never been, possibly flying too close to the sun and trying to do things too far outside the bands skills at the time. Every track is quite different like they were trying to find their sound, but their later albums were the same, so varied and every track unique. But i love it, warts and all, and it started my fascination with experimental music in general. If you've been interested in Maudlin or Kayo Dot and never touched this one due to its reputation for being "unlistenable" please give it a go.

What I wouldn't give to hear this rerecorded.

Favourite tracks: (basically all of it)

Ferocious Weights

A Conception Pathetic

The Ocean, The Kingdom, and the Temptation

Catharis of Sea-Sleep and Dreaming Shrines

The Crystal Margin

View original on discuss.tchncs.de
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metalvinyl·MetalVinylbyNielsBohron

Two of my favorite heavy albums from the 2010's

Our Raw Heart by YOB (2018) on the left and Grief's Infernal Flower by Windhand (2015).

For those that haven't heard these bands, they are both are fantastic stoner/doom releases, but within those subgenres, they couldn't be more different, IMHO.

YOB is more proggy and sludgy with some fairly mellow melodic songs and very deep, introspective lyrics. They are known for having pretty long songs, even by stoner/doom standards, with 10 songs over the 10 minute mark on their last three albums. Adrift in the Ocean and Beauty in Falling Leaves are both pretty good entry points.

Windhand is slow and heavy as fuck, with a pretty psychedelic sound and dreamy, reverby, clean female vocals, which I've heard called doomgaze. Frankly, there's not a bad entry point, but Grey Garden and Forest Clouds were two of the first songs that got me into doom in the first place

View original on lemmy.world
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