Something is moving far beneath the dead surface.

Veduora is an immersive, dark sci-fi worldbuilding project told through isolated logs, brutalist industrial decay, and suffocating atmospheric ambient soundscapes.

If you love rich, slow-burn narratives and dark subterranean exploration, step into the transmission.

What secrets are hidden in the dark sectors?

https://youtu.be/rqETagwBvyY

cross-posted from: https://startrek.website/post/37146040

While those of us who were already fans of the Monsterverse extended Godzilla universe continuity have been watching Monarch: Legacy of Monsters on AppleTV, it turns out that Amazon Prime has had a licence to stream it until March 31st.

Currently, the second season of this popular action epic is rolling out on Apple TV, but season 1 is one of the most-watched Prime Video shows on the planet at the moment. This brief stint on Prime Video will be short-lived, however, since the series will be removed from Prime Video less than 2 weeks on April 1, 2026. Don't miss your chance to binge this celebrated series before it's gone.

If you’re thinking of giving Monarch a try, and don’t have AppleTV, this may be a good opportunity.

cross-posted from: https://feddit.uk/post/27017297

Here’s another draining bout of horror opportunism, spawned in this instance by the copyright expiring on Disney’s Steamboat Willie, the 1928 landmark animation that launched Mickey Mouse into the world. Scurrying on to screens months behind the similarly motivated The Mouse Trap, Steven LaMorte’s bloody pastiche opens with a quote coyly ascribed to “Walt D” before plodding mirthlessly in the pawprints of those recent Winnie-the-Pooh carve-ups, demonstrating no greater brio, invention or wit. Its mock Mickey is a genetically modified super-violent pipsqueak (played by Terrifier breakout star David Howard Thornton, in mangy rodent costume), let loose from the sewers by blundering engineers; rather than the jaunty steamboat his predecessor commandeered, he wreaks murderous havoc on a grimy approximation of the Staten Island ferry, whistling while he works.

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Arterial spray fans won’t feel short-changed, but many of the kill scenes are torpedoed by poor lighting, clumsy-to-inept camera coverage and cutting, and effects that only erratically match the action. Amid a number of Sharknado-level performances, and accidentally serving the public by muffling dialogue that wasn’t exactly sparkling to begin with, Thornton gives his Mickey a certain bouncy malevolence – but we get the idea after only a few minutes of watching the actor tap dance on a pop culture grave. These tacky novelty films have been unlucky to land at a moment when mainstream horror has seriously raised its game, but something as cut-price, retrograde and reactionary as this really does deserve the damning label of Mickey Mouse fare.

Trailer

In the sleepy town of Clover Falls, popular teens are butchered with regularity by a disfigured masked killer in the Freddy/Jason/Michael mode, named Roger Bladecut (Billy Burke). Their deaths are (somehow, invisibly) filmed and sold as horror movies at the local video store, run by Roger Bladecut. This maniac’s daughter, Abbie (Sari Arambulo), is for some reason keen to follow in her father’s footsteps, but when she starts hanging out with other teens realises that maybe murdering your fellow humans isn’t all its cracked up to be.

Even a cursory outline of the premise is probably enough to set alarm bells ringing for anyone with even a passing interest in plausible world-building. For those willing to suspend their disbelief, Bloody Axe Wound features some charismatic performances (from Sam Crane and Eddie Leavy in particular), a banging soundtrack crammed with riot grrrl riffs, and some nice juicy practical gore effects.

Trailer

cross-posted from: https://lemmy.world/post/26722585

Brian Cox, Edie Falco, Dean Norris and Lisa Kudrow play “wacky” parents trapped in a haunted mansion in a minimal Max original

The first reactions are in for new horror movie Clown in a Cornfield after its premiere at SXSW – and viewers are full of praise for the slasher comedy with a twist.

Directed by Tucker & Dale vs. Evil helmer Eli Craig, the movie is based on the novel of the same name by Adam Cesare and made by the same production company behind the Smile franchise. The film follows teenager Quinn (Katie Douglas), who moves to a small town in Missouri after the death of her mother. Their fresh start is disrupted, however, when the town's mascot Frendo the Clown begins to wreak bloody havoc on its residents.

"#ClownInACornfield was fucking spectacular!" tweeted one viewer. "Paving the way for a new generation of slashers! A new era and I’m here for it. A gruesome, wild and chaotic bloodbath! Amazing cast and a premise that will shock people! A huge win for horror fans! Folks are gonna lose their minds!"

Trailer

Picture, if you will, a version of the esoteric sci-fi masterpiece “2001: A Space Odyssey” made after a cartoon anvil has landed on Stanley Kubrick’s head, causing animated canaries to circle overhead. The resulting film would probably look a lot like “L’Empire” (or “The Empire”), Berlin’s Silver Bear-winning French-language farce by filmmaker Bruno Dumont, who refracts the traditional space opera through a strange deconstructive prism.

As warring empires and prophecies descend upon an unassuming fishing town, aliens in human form prepare for an existential battle whose moral dimensions initially seem abstract and absurd. Rather than sleek, futuristic vessels, its spaceships take the form of gothic church spires and baroque palaces, Earth-bound designs that offer a clear-eyed view of the religious and political power that drives the warring factions up above.

Dumont, whose last film “France” satirized the French news media landscape, tips over the edge of madness with “L’Empire.” A send-up of the popular sci-fi tradition — beginning with “a galaxy far, far away” — it takes potshots at genre storytelling that draw from the real world while also eschewing it.

cross-posted from: https://lemy.lol/post/39769265

This is from the same RocketJump of Freddie Wong YouTube fame and will be having apparently a very limited (as of now) one day running theaters on March 7th.

I think it looks so interesting. I love me some indie sci-fi films.

Feb 22, 2025

The Best Horror Podcasts from millions of podcasts available on the Goodpods platform and ranked by listens, ratings, comments, subscriptions and shares.

This amusingly overwrought mystery-horror-thriller is both a new release and a reissue all at once. Originally made in 2004, and shown at a few genre-specific film festivals, it never secured distribution. Still, it found a way to get seen on alternative platforms like YouTube and homemade DVDs. Frustrated with the lack of appreciation for his work, director Eugenio Mira started sending copies of the film to directors he admired like Quentin Tarantino and Guillermo del Toro among others, exactly the right kind of guys who like to champion neglected cult classics. Meanwhile, lead actor Corey Feldman (once a child star in the likes of Stand By Me and The Goonies back in the 1980s) was conducting his own under-the-radar campaign on the film’s behalf. After it ended up getting shown via a scratchy master print at a screening hosted by director Jordan Peele (Get Out, Nope) and praised to the heavens, funds suddenly became available for a 4K restoration and a limited worldwide release. Now we can all see what the fuss is about.

Was it worth the wait? Yes and no.

I wouldn't go much further as they do say " It’s best to know as little as possible going in" and then proceed to drop hints, which is naughty.

A24 is getting set to unleash their fantastical nightmare Death of a Unicorn in theaters on March 28, 2025, and the film has received its official rating from the MPA this week.

Death of a Unicorn is rated “R” for “strong violent content, gore, language and some drug use.”

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Jenna Ortega and Paul Rudd lead the cast of A24’s dark comedy.

In Death of a Unicorn, “A father (Rudd) and daughter (Ortega) accidentally hit and kill a unicorn while en route to a weekend retreat, where his billionaire boss (Richard Grant) seeks to exploit the creature’s miraculous curative properties.”

Trailer

On Avenue Mews in the leafy North London suburb of Muswell Hill, long-term friends Ruth (Ruth Syratt) and Megan (Megan Stevenson) run Cha Cha Cha together from rented premises. There they sell vintage goods – “anything we can get our hands on that’s from the past”, as Ruth puts it. They do not, however, sell the old dodgem car – with flashing lights and lo-fi control boards attached – which they find abandoned by the bins outside their shop, but instead, upon discovering that it is a time machine, use it to gather genuine antiques from different places and eras.

Six years later, business is booming, but strange meteorological phenomena suggest that something is amiss in the space-time continuum. A secret club of local eccentric inventors known as the Technology Engineering Scientific Thought and Innovation Society, or ’T.E.S.T.I.S’ (it will later be renamed B.R.E.S.T.S., in part to reflect the shifting gender balance of its membership), realises what is happening, and recruits the two women to their group.

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Narrated by Stephen Fry, Time Travel Is Dangerous is a very English kind of sci-fi comedy, with very little actual science, but plenty of absurdist emphasis on the schlubbish, amateurish, no-budget side of invention – and indeed of inventive filmmaking. It is an endearing, surreal and funny portrait of friendship lasting across time.

Trailer

Corporal Joe Bauers, a decidedly average American, is selected for a top-secret hibernation program but is forgotten and left to awaken to a future so incredibly moronic that he's easily the most intelligent person alive.

IMDb

cross-posted from: https://thelemmy.club/post/21132778

cross-posted from: https://thelemmy.club/post/21132777

Cineverse has announced that “The Toxic Avenger,” a darkly comedic reimagining of Troma Entertainment’s 1984 cult classic of the same name, is headed to theaters in 2025.

Directed by Macon Blair (“I Don’t Feel at Home in This World Anymore”) and starring Peter Dinklage, “The Toxic Avenger” reboot will premiere as an unrated wide release later this year.

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In this new chapter of the franchise created by Lloyd Kaufman and Troma Entertainment, Dinklage stars as downtrodden janitor Winston Gooze, who, after a freak accident, transforms into a mutant vigilante known as Toxie. “Armed with his signature mop, the unlikely hero battles freaks, gangsters and corrupt CEOs while trying to save his relationship with his son. The story channels the subversive gonzo energy of the original ‘Toxic Avenger’ while delivering a fresh, contemporary twist,” reads the official synopsis.

Along with Dinklage, the film stars Kevin Bacon, Elijah Wood, Jacob Tremblay, Julia Davis and Taylour Paige.

It's a little light on the genre aspect (though there's a lot of blood a couple of times) but it's a funny, delightful and occasionally touching movie about a new Finnish band that plays "symphonic post-apocalyptic reindeer-grinding Christ-abusing extreme war pagan Fennoscandian metal."

PLUS there is a sequel coming out sometime. Usually I don't like them but an indie movie this good deserves one.

The trouble with Nick Frost’s knowingly cartoonish and silly comedy paying homage to folk horrors such as The Wicker Man and Midsommar is that Frost has done this kind of movie before, and better. His hugely enjoyable collaborations with Simon Pegg and Edgar Wright, Shaun of the Dead and The World’s End, had a perfect command of comedy horror. The tone here feels less good natured, more self-congratulatory, the comedy not quite so light on its feet. Though it comes into its own with a cheerfully gruesome gorefest in the last half-hour.

Frost writes and stars alongside Aisling Bea (who really does deserve a better horror film). They play Richard and Susan Smith, an ordinary-seeming middle-aged couple with the irritating habit of calling each other “mummy” and “daddy”. The Smiths have dragged their bickering grownup kids Sam (Sebastian Croft) and Jessie (Maisie Ayres) on holiday to a fictional Swedish island to watch the Karantän festival. Every year locals stage an eight-hour re-enactment celebrating a grisly episode of early 19th-century history when their ancestors turned cannibalistic and chomped four British soldiers who’d starved the island.

Of course, in folk horror tradition, the Smiths are hapless outsiders blundering like lambs to a freaky ritualistic slaughter.

Trailer

With Sebastian Stan attracting awards buzz for The Apprentice and A Different Man, it feels like an appropriate time to revisit Fresh, which for my money is one of the most warped and interesting horror comedies of recent years. However, this is a movie that’s hard to discuss without giving something crucial away, so before reading any further – and if you’ll pardon the pun – you may first prefer to go and experience it fresh.

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While Fresh was rightfully acclaimed on release, it would be a shame if it were forgotten in the constant deluge of new streaming content, because horror comedy is a tricky thing to balance. But Fresh stands out because it approaches its horrors of modern dating with a morbid sense of humour and an appetite for the unpredictable.

Lots of spoilers in the article.