Jumblevision is not a line I'm familiar with.

I guess still cameras weren't cutting it.

cross-posted from: https://lemmy.world/post/312675

This is my camera, we used it for B-cam on a commercial recently. I had to pull focus and zoom while rolling so I hooked up one of my Nucleus-M handles to the camera and used it like a Preston Microforce. Not the most optimal setup, but it worked for what we needed.

Gaffer Len Levine takes lighting design to another dimension for the hit sci-fi sequel.

Matthew Libatique, ASC, LPS trades stylization for simplicity in Darren Aronofsky’s poignant study of a damaged soul.

Four cinematographers help transform the frightful video game into a hit horror series.

One of my favorite films by one of my favorite DP's.

cross-posted from: https://lemmy.world/post/249015

Little messy cause I had to find places for all the sounds stuff to fit that we normally don't have to deal with, but it ended up working out pretty well.

Some photos from the article:

cross-posted from: https://lemmy.world/post/213831

A and B cam builds for a 3 day series of national commercials I worked on recently.

cross-posted from: https://lemmy.world/post/212596

My back left tire exploded on the freeway on the way to this gig and I had to get towed to the dealership then Uber to set. I was 2 hours late but made it just before they started shooting.

We used it for the big sweeping town shots with all the extras and animals walking around. Looked like a real town.

Credit: Angus Davies on YouTube

The Gaffer brought the condor down once the lightning got too close for comfort because it's basically a giant metal lightning rod.

Human for scale lol