I've never heard a set of all Latin American baroque music before. This concert is pretty amazing.

Timestamp is 1:23:25 in case the link doesn't work for your player.

I generally prefer operas to be staged, but this is the best audio (with accompanied video) that I've found. I especially love the violin part on this aria, it's so expressive.

What is your favourite rendition of the Goldberg variations by J.S. Bach?
My go-to version is the 1992 Tatiana Nikolayeva recording. I think it's perfect. For me, the point of reference compared to other versions is how she sets of with the first variation. Most players will wake up the listener by playing it loud and/or fast. She however does it slow and soft. In a natural way, after the aria.
The last few years I've grown very fond of David Fray's recording. Mainly because he plays the whole thing slower than Nikolayeva. I think it's the most romantic recording.
Lang Lang, who I never listened to before, is a close contender to the above two. I was pleasantly surprised. I have the special version with the studio recording and the recording in Bach's Leipzig church. I honestly can't tell the difference between the two recordings.
Recently I started listening to an Andras Schiff live recording. I kind of enjoy the details and his usual metronomic perfection.
Other recordings I listen to frequently are Rosalyn Tureck (sounds like an "old" recording), Fazil Say (kind of "funky"). I find the Alexandre Tharaud recording good, but perhaps it lacks character for me. There are no specific qualities that stood out for me. Perhaps a standard rendition, then?
Versions that I disliked Vikingur Olafsson (too much showing off technical skill i.m.o.; very fond of his Philip Glass recording), Pavel Kolesnikov (too many strange twists or details; although I saw him play it live and was very impressed).
I listen to the Goldbergs everyday. Never get bored by it. They are my safe haven. I wonder sometimes why I have the rest of my collection.
Edit : Forgot about Glenn Gould. Like for most, he was my entry into Bach. Also his Goldberg recordings. Must admit I never give him a listen anymore.

This whole performance was incredible, but my favorite songs were this duet (Timestamp 1:10:00) and Se Pietà Di Me Non Senti (Timestamp 2:02:04), sung by Sabine Devieilhe.

Another wonderful piece by Francesca Caccini

Francesca Caccini (18 September 1587 – most likely between 1641 and 1645) was an Italian composer, singer, lutenist, poet, and music teacher of the early Baroque era. She was also known by the nickname La Cecchina, given to her by the Florentines and probably a diminutive of Francesca. She was the daughter of Giulio Caccini. Her only surviving stage work, La liberazione di Ruggiero, is widely considered the oldest opera by a woman composer. As a female composer she helped to solidify the agency and the cultural and political programs of her female patron.

I think this is the perfect inaugural post for this community. A beautiful performance.