Everything must go Analysis
we start with an async expedition (not carrying guidelines)
in the Kelowna Branch of the Complex, which explains the KLWNA on the tapes of Clark and Naren
we also get to know that Async labels the Complex via "Branches"
kane says they found a "less restrictive alternative" and that hes probably gonna make a webseries episode about that as EMG skips past the initial implementation
they then find a bunch of "everything must go" signs, presumably from Captain Clarks Ottoman Empire
and they analyse their positions and speculate that another sign must be somewhere within the wall and somehow they procure authorization to cut a hole into the wall near them
and they find the sign
we get a good look on what the interior of the backrooms walls or atleast the space between them looks like
they find a nude (very funny, kane) version of the Captain Clarks Ottoman Empire mannequin
and then they find a version Captain Clark's Ottoman Empire via the hole in the wall
it is very eerie, dark and unlit unlike the movie's version of it, could the backrooms be in the process of copying it?
and then one of the most interesting moments
Clarks TV! But I assume the Complex copied it wrong, mixing in some parts of a Chinese Television as well? Or even more interested, its getting a signal from somewhere in China
and then we get this eerie image, alongside some eerie music or complete silence, I think
and this is presumably the backrooms or the still lives copying the Found Footages
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